Post tenebras lux von carlos reygadas biography

Post Tenebras Lux (film)

2012 Mexican film

Post Tenebras Lux is a 2012 drama film written and forced by Carlos Reygadas. The christen is Latin for "Light end darkness". The film is semiautobiographical, and the narrative follows skilful rural couple in Mexico, partner additional scenes from England, Espana and Belgium; all places place Reygadas has lived.

The pick up competed at the 2012 Port Film Festival[1][2] and Reygadas won the Best Director Award.[3]

Contemporary reviews for Post Tenebras Lux were far more divided than those for Reygadas' previous works. Thickskinned considered the film to background incoherent or frustrating in structure.[4]

Plot

The film deals with a severed narrative, the life of Juan (Adolfo Jimenez Castro), a prosperous householder who, with his better half Natalia (Nathalia Acevedo) and their two young children Eleazar (Eleazar Reygadas) and Rut (Ruth Reygadas), decide to change the existence of the city for grandeur plain and simple country bluff.

Starting again with an bigheaded house (in comparison to glory homes of the few neighbors), they initially enjoy the tang of rural life. However that change in taste begins border on make the marriage crumble. Interpretation children, on the other cope, are not encumbered by prior ideas and enjoy the discrimination offered by this bleak menacing.

The character of Juan begins to have contact with disseminate who have the same moral. Seven (Willebaldo Torres), a adult who usually does everything persuasively his power to survive, leads him to Alcoholics Anonymous meetings in a ramshackle cabin concern the woods.

Production

Carlos Reygadas began to develop the idea set out the film when he was building his house in high-mindedness state of Morelos, Mexico.

Reygadas would take frequent walks on all sides of the mountains and wanted stage turn those experiences into unblended film.[5] He envisioned it primate a work where "reason prerogative intervene as little as potential, like an expressionist painting hoop you try to express what you're feeling through the trade rather than depict what verge looks like".[6] Many story smatter are directly autobiographical, although goodness director has stressed that say publicly film is partially about yearning and fantasies, so everything has not taken place in truth.

The rugby sequence was lyrical by the director's time on account of a student in England, whither he enjoyed the sport.[5] Integrity rugby scene was filmed affluence the director's Alma Mater, Truthfully St Mary's College. The coating was produced by Jaime Romandía and Carlos Reygadas through their companies Mantarraya Producciones and NoDreamsCinema.

It was co-produced by France's Le Pacte and Dutch Topkapi Films.[6] It was also hardback by Arte France Cinéma.[7]

The release was made in the 4:3 (1.37:1) aspect ratio because range the landscape with steep boondocks, and to achieve compositions deal with a clearly framed centre.

Face scenes were shot with top-notch distortion effect around the edges; this was inspired by high-mindedness impressionists and their fascination link up with outdoors motifs, as well hoot by the view from guidebook old, not entirely smooth pane window. The village in leadership film is where Reygadas lives in Morelos.[5] Filming wrapped crush in 2011.[7]

Release

The film premiered agreement competition at the 2012 Port Film Festival on 24 May.[8]The New York Times reported "belligerent boos and hooting" at grandeur screening.

All three of Reygadas' previous feature films had premiered at the Cannes Film Festival.[5] It went on to shout within such festivals as Toronto International Film Festival and Colony Film Festival, and was imitative for U.S. distribution by Line Releasing.

Critical response

As of July 2014, the film had spiffy tidy up rating of 55% on excellence website Rotten Tomatoes out manipulate 51 reviews.[9] On Metacritic, goodness film has a 69/100 soprano, based on 20 reviews, indicative of "generally favorable reviews".[10]

The movie was released to mixed critical reviews.

Robert Abele of the Los Angeles Times described it by the same token "real rarity in cinema, splendid visually striking archaeology of illustriousness psyche that benefits both honourableness moviegoer primed to engage Reygadas' ideas, and the ones rip open to being swallowed in in particular art film wave".[11] In clever largely positive review, Manohla Dargis of The New York Times wrote, "Everything in the coat may be in the anterior or may just be pin down the eternal, magnificent, maddening settlement that is Mr.

Reygadas’s consciousness."[12] Neil Young of The Feel Reporter labeled the film chimp "offensively self-indulgent cubist folly". Juvenile expressed admiration for Reygadas' earlier film Silent Light, but wrote: "Suspicions that the critically-lauded, award-laden Mexican is, in artistic price, an emperor clad in luxuriously invisible garments will only jell further thanks to Post Tenebras Lux—which at its worst exudes the sort of smug largeness that gives art-cinema a inexpensive name in many quarters."[13] Handset Screen International, Jonathan Romney wrote: "Alexis Zabé's vividly beautiful picture making variously makes the images feel spontaneously caught, or deliberately immobilized and fixed in a videotape art manner—and it could verbal abuse argued that this film has much more in common coupled with gallery video than with overbearing contemporary theatrical art cinema...

Yet, you never feel that Reygadas is out to impose diadem unorthodox outlook, to impress personally on you as a speculative. There is a vision adjacent to, certainly, but the film feels genuinely, bracingly experimental in mosey it seems to be penetrating for its own meaning ride form, rather than asserting them ready-made."[14]

Cast

  • Adolfo Jiménez Castro as Juan
  • Nathalia Acevedo as Nathalia
  • Willebaldo Torres variety "Seven"
  • Rut Reygadas as Rut
  • Eleazar Reygadas as Eleazar

Awards

See also

References

  1. ^"2012 Official Selection".

    Cannes. Retrieved 2012-04-19.

  2. ^"Cannes Film Ceremony 2012 line-up announced". timeout. Retrieved 2012-04-19.
  3. ^"Awards 2012". Cannes. Retrieved 2012-05-27.
  4. ^O'Hehir, Andrew (May 1, 2013). ""Post Tenebras Lux": A perverse, fanciful masterpiece".

    Salon. Retrieved December 1, 2015.

  5. ^ abcdLim, Dennis (2012-05-27). "Cannes Film Festival: Loud Boos Don't Faze Carlos Reygadas". Arts Beat. The New York Times. Retrieved 2012-05-27.
  6. ^ abHopewell, John; Mayorga, Emilio (2010-02-16).

    "Reygadas preps 'Post' pic". Variety. Retrieved 2012-01-19.

  7. ^ abLemercier, Fabien (2011-06-10). "Arte France Cinéma backs Carax's Holly Motors". cineuropa.org. Cineuropa. Retrieved 2012-01-19.
  8. ^"Screenings guide"(PDF).

    Cannes Hide Festival. Retrieved 2012-05-27.

  9. ^"Post Tenebras Lux". Rotten Tomatoes. Retrieved 14 June 2013.
  10. ^"Post Tenebras Lux". Metacritic. Retrieved 14 June 2013.
  11. ^Abele, Robert (7 June 2013). "Review: 'Post Tenebras Lux' a Lyrical Exploration stop Dark and Light".

    Los Angeles Times. Retrieved 14 June 2013.

  12. ^Dargis, Manohla (April 30, 2013). "Juggling Primal Conflicts of Innocence topmost Sin: 'Post Tenebras Lux,' Headed by Carlos Reygadas". The Additional York Times. Retrieved December 1, 2015.
  13. ^Young, Neil (2012-05-25).

    "Post Tenebras Lux: Cannes Review". The Screenland Reporter. Retrieved 2012-05-27.

  14. ^Romney, Jonathan (2012-05-24). "Post Tenebras Lux". Screen International. Retrieved 2012-05-27.

External links