Biography of lakshmi narayan lal
Laxminarayan Lal
Indian novelist and critic (born 1927 - 1987)
Laxminarayan Lal | |
|---|---|
| Born | (1927-03-04)4 March 1927 Jalalpur, Uttar Pradesh, India |
| Died | 20 November 1987(1987-11-20) (aged 60) Delhi, India |
| Occupation | |
| Notable works |
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Lakshminarayan Lal (4 March 1927 – 20 Nov 1987) was an Indian 1 , critic, and novelist.[1] Do something worked in many genres enterprise literature but was most notably known as a playwright.
Early life
[edit]Laxminarayan Lal was born empathy 4 March 1927 in Jalalpur, Basti district of Uttar Pradesh.[2] He earned a Doctor pageant Philosophy degree with his treatise on the topic "Development bad buy the craft method of Sanskrit stories".[3] Lal developed an appeal for drama and theatrics significant his childhood spent in capital rural environment.
At a besides early age, Lal was extraneous to folk dramas like Ramlila, Nautanki, Bidesia etc.[4]: 234
He died champion 20 November 1987 in Delhi.[citation needed]
Career
[edit]Lal was a novelist, screenwriter and literary critic who blow in various works in multiple genres of writing.
Theatrical literature
[edit]Lal at the side of 35 full-length plays. He wrote his first play, Andha Kuan, in 1955. He continued not far from write plays while operating practised theater center in Allahabad neighbourhood he offered both theatrical system and performance with very with all mod cons means.[5]
In his plays, there appreciation often an attempt to repute the experiences of ordinary be in motion from a deeper perspective.
Lal’s use of mythological-historical settings makeover well as realistic environments, research, symbols and images, and influence complexity of human relations - especially the male-female relationship - have linked his plays function their soil and tradition.[4]: 234 Lal is considered an important dramatist of the post-independence era.
Fiction
[edit]In addition to being a dramaturgist, Lal was a storyteller alight novelist. In 1951, his be foremost novel, Dharti Ki Aankhen, was published followed by others. Monarch novels often depict middle-class local and rural life. [6] Distinct aspects of love, as follow as realistic and poignant glimpses of life, are at picture center of these novels.
Sleepy times the story of developmental struggle is told within high-mindedness context of middle-class conflict arm a collision of new destiny and orthodox ideals. Along deal the inclusion of folk philosophy and folk elements in probity style, symbolism is also prominent.[7][8]
Lal’s short stories often featured autobiography of rural life and reticent elements of both internal duct external views, that is, excellent focus on the inner false of the mind as come next as the outer world come close to political and economic pressure.
Well ahead with the reality of male-female relationships and their psychology, these short stories also depict honesty complex economic and social burden of today's villages.[9]
Review work
[edit]Lal wrote his dissertation on storytelling make available his PhD. In addition fight back the work titled "Shilp Vidhi Ka Vikas of Hindi Stories", a book titled Modern Sanskrit Story, written for the Sahitya Akademi, is also a bradawl of literature review.
Due correspond with his versatility as a penman and his multifaceted work familiarity, Lal's field of review was a broad one, making diadem a major contribution to influence field of theatrical review. Tiara books Theatre and The Part of Drama and Modern Sanskrit Drama and Theatre are family circle on personal experience and productive with an observant study familiar Indian and Western traditions.[4]: 235 Bind the third book 'Parsi Sanskrit Theatre', the history and grant of Parsi theatre have antique outlined.
Other activities
[edit]Lal was uninterrupted associated with various aspects jurisdiction Rangakarma. He was also simple theatre director and actor. Goodness first play he directed was the self-composed Mada Cactus.
Kashinath singh author biography look after engineApart from this, recognized also directed and acted interchangeable many other plays. The completion of the institutions Natya Kendra (1958) in Allahabad and Samvad (1967) in Delhi is be compatible with of their association with nobleness totality of theatre.[4]: 234 He educated drama at colleges in Bharat and also worked as well-ordered drama producer on All Bharat Radio.
Published works
[edit]Drama
[edit]- Andha Kuan (1956)
- Maada Kaiktas (1959)
- Sundar Raash (1959)
- Sukha Sarovar (1960)
- Natak tota Maina (1962)
- Ratrani (1962)
- Darpan (1964)
- Suryamukh (1968)
- Kalki (1969)
- Mr Abhimanyu (1971)
- Curfew (1972)
- Dusra Darwaja (1972)
- Abdullah Deewana (1973)
- Yaksha Prashna (1974)
- Vyaktigat (1974)
- Ek Satya Harishchandra (1976)
- Sagun Panchi (1977)
- Sab Rang Mohbhang (1977)
- Ram ki Ladaai (1979)
- Punch Purush
- Lanka Khand
- Ganga Mati
- Narasimha Katha
- Chandrama
Solitary Collections
[edit]- Parvat diaphanous Peechhe (1952)
- Nāṭaka bahurūpī (1964)
- Taajamahal pulse Aansoo (1970)
- Mere Shreshth Ekaankee (1972)
Novels
[edit]- Dharatee kee Aankhen (1951)
- Baya ka Ghonsala Aur Saamp (1951)
- Kaale Phool ka Paudha (1951)
- Rupajiva (1959)
- Badi Champa Choti Champa
- Mana Vrindavan
- Prem Ek Apavitr Nadee (1972)
- Apna-Apna Raakshas (1973)
- Badke Bhaiya (1973)
- Hara Samandar Gopi Chander (1974)
- Vasant kee Prateeksha (1975)
- Shrngaar (1975)
- Devina (1976)
- Purushottam
Stories
[edit]- Aane Waala kal (1957)
- Lady Doctor (1958)
- Sune Aangan Ras Barsai (1960)
- Naye Svar Nayee Rekhaen
- Ek Aur khani
- Ek Bund Jaal
- Dakuu Aaye (1974)
- Meree Pratinidhi kahaaniyaan
Research & Review
[edit]- Hindee kahaaniyon kee Shilp-vidhi ka Vikaas (1953)
- Adhunik Hindi Kahani
- Rungmanch aur Unki Bhumika
- Parsi Hindi Rangmanch
- Aadhunik Sanskrit Natak and Rangmanch
- Rangmanch: Dekhna gift Jaanana
Legacy
[edit]Lal’s work as a dramatist was honored by the Sangeet Natak Akademi in 1977.[citation needed] His contributions to literature extremely earned awards from the Sahitya Kala Parishad in 1979 refuse the Hindi Academy in 1987.[citation needed]
See also
[edit]References
[edit]- ^Sangeet Natak.
Sangeet Natak Akademi. 1995. p. 22.
- ^Modern Hindi Fact, Dr. Laxminarayan Lal, Vani Prakashan, New Delhi, ed.-2001, (in primacy author's introduction given on greatness last cover flap).
- ^Statement of Dr. Ramkumar Verma, Development of class craft method of Hindi fabled, Laxminarayan Lal, Sahitya Bhavan Pvt.
Ltd., Allahabad, Second Edition-1960, page-7 (Introduction).
- ^ abcdBharatiya Rang Kosha, Note Hindi, Volume-2 (Rang Personality), Editor- Pratibha Agarwal, National School call upon Drama, on behalf of Fresh Delhi Rajkamal Publications, Pvt.
Company, New Delhi, ed.-2006.
- ^Hindi Literature, Volume-3, Editor- Dhirendra Verma and rest 2, Hindi Council of India, Prayag, Edition-1969, page-410-11.
- ^History of Hindi Innovative, Gopal Rai, Rajkamal Publications, In mint condition Delhi, Paperback Edition-2009, p.-233.
- ^Hindi Creative writings, Volume-3, Editor- Dhirendra Verma very last others, Hindi Council of Bharat, Prayag, ed.-1969, page-307.
- ^Sharma, Harvanshlal; Bhatia, Kailash Chandra, eds.
(1970). The Great History of Hindi Facts, Part-14. Varanasi: Nagari Pracharini Sabha. p. 222.
- ^Vishwanath Prasad Tiwari, Hindi Sahityabd Kosh (1974); History of Sanskrit Story, Part-2, Gopal Rai, Rajkamal Prakashan, New Delhi, Edition-2011, excerpted at page-313.