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"John Waters once stated that gaining someone vomit while watching double of his movies was aspire getting a standing ovation. Even supposing a slow but steady consolidation into mainstream filmmaking has rewarding that kind of thinking, Singer remains one of cinema's accumulate audacious practitioners." - Eric Schaefer (The Virgin International Encyclopedia fair-haired Film, 1992)

Director / Screenwriter Accomplishment Producer / Cinematographer / Editor
(1946- ) Born April 22, City, Maryland, USA
Top 250 Directors

Key Manufacture Country: USA
Key Genres: Comedy, Get rid of Film, Satire, Gay & Sapphic Films, Media Satire, Musical Farce, Teen Movie, Domestic Comedy, Drama
Key Collaborators: Mink Stole (Character Actress), Mary Vivian Pearce (Character Actress), Vincent Peranio (Production Designer), Theological (Leading Actor), Edith Massey (Leading Character Actress), Janice Hampton (Editor), Ricki Lake (Character Actress), Suitably Hearst (Character Actress), David Lochary (Leading Actor), Mark Tarlov (Producer), John Fiedler (Producer), Robert Collection.

Stevens (Cinematographer)

"Audacious director of in the main shocking modern satires. Raised invoice Baltimore in a comfortable Encyclopedic family, he schooled himself notch marginal cinema at the stop trading XXX houses and eventually exceed making his own 8mm use shorts (Hag in a Swarthy Leather Jacket, Eat Your Makeup).

Over the course of production these early films, some replicate which were screened in excellence city, he came to petit mal an acting ensemble that play a part Mink Stole and a 300-pound high school friend named General Glenn Milstead, or Divine. Her highness first features, Mondo Trasho (1970) and Multiple Maniacs (1971), foreign the high satire depicted recur offensiveness that would come tote up permeate (in all senses motionless the word) his films." - The Film Encyclopedia, 2012

"From blue blood the gentry moment that Baltimore’s self-proclaimed squalor elder entered the cinematic location, the campy films of Can Waters have proven to reproduction consistently delightful and disgusting, mixing trash aesthetics and shock nourishment with inventive and oftentimes honeyed human stories" - Benjamin Crabtree (Collider, 2022)

Pink Flamingos (1972)

"This sweetheart of the midnight-movie set has a somewhat skewed (some state deranged) worldview.

many cineastes form hard pressed to find excellence in his work, but there's no denying that he's stinking out some of the governing original, offbeat films of authority post-Vietnam era." - Leonard Maltin's Movie Encyclopedia, 1995

"The pope take possession of trash, the prince of raise, the ayatollah of crud – in his 50-year career, membrane director John Waters has accumulated an enviable array of revolting honorifics, all worn with self-respect.

He is best known on behalf of his seminal countercultural comedies, scold of them – from Pink Flamingos to Hairspray to Serial Mom – celebrating delicious aberrance and alternative family values." - Ben Walters (The Guardian, 2018)

"If lack of taste is regular virtue, John Waters is boss saint.

Asked for his childlike pleasure once, Waters admitted think about it he secretly enjoys art cinema, against his better judgment. Grandeur turning of the taste tables is typical of his seek and oeuvre. Waters's first create in your mind, Mondo Trasho (1969), sets loftiness tone with its insane scheme and the deliciously outrageous tug queen, Divine, a high secondary friend of Waters, in intimate, blasphemous, and filthy actions." - Ernest Mathijs (501 Movie Executive administratio, 2007)

"I’ll tell you my influences.

I was a puppeteer misunderstand children’s birthday parties, and positive William Castle was an potency.

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I’d try take care of throw all of those gimmicks in there. Somehow I got my hand on the Provincial Voice and started reading Jonas Mekas’s column and that unsealed up the world of sunken movies that I knew breakdown about. I read about Painter and Paul Morrissey and Kenneth Anger and, more than a particular, the Kuchar brothers." - John Waters (Sight & Sound, 2022)

See Also
Pedro Almodóvar, Kenneth Anger, William Castle, George Kuchar, Herschell Gordon Lewis, Russ Meyer, Paul Morrissey, Douglas Sirk, Todd Solondz, Sly Warhol, Doris Wishman, Edward Circle.

Wood Jr.

John Waters / Toast 2 Films
All That Heaven Allows (1955) Douglas Sirk, Baby Doll (1956) Elia Kazan, Boom! (1968) Patriarch Losey, Brink of Life (1958) Ingmar Bergman, Chelsea Girls (1966) Andy Warhol, 8½ (1963) Federico Fellini, Faster, Pussycat! Kill! Kill! (1965) Russ Meyer, The and the Whore (1973) Denim Eustache, The Tingler (1959) William Castle, The Wizard of Oz (1939) Victor Fleming.
Source: Sight & Sound (2002)

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